Mehran mohajer biography definition

  • The stories in biographies have been a proper platform for establishing the biographers' position as a writer aware of linguistic subtleties.
  • In Mehran Mohajer's 1993 photographs of Willow Branches, viewers are invited into a world of remarkable minimalism and two-dimensionality that.
  • In the empty urban spaces that featured so evocatively in the work of photographer Mehran Mohajer, whose work was on display during the protests.

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    Ubiquity: Photography's Multitudes

    Jacob W. Lewis and Kyle Parry

    Among the most widespread orthodoxies about photography concerns the intensity of its reach.1 The notion is both simple and all-encompassing. With the rise of smartphones and social media, the feedback loop of taking and sharing photographs has reached an omnipresent fever pitch. With more photographs produced every two minutes than were produced in the entire 19th century—although this comparison is likely outdated—the institution of photography has begun to pervade every dimension of social and political life.2 Whereas cameras and photos once enjoyed only partial distribution, now they enjoy a total distribution. In sum, or so this line of thinking goes, photography has become ubiquitous. It is everywhere, and it always will be.

    In 2016, having arrived by different paths, we found ourselves living and working in a city suffused with and indeed haunted by histories of photographic distribution: Rochester, New Yor

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    Sociological Consideration of "Panah" Painting (1356) by Mahmood Farshchian

    Document Type : Research Article

    Authors

    1 Phd. lärjunge in Art University of Isfahan

    2 Associate Professor of Sociology in Shiraz university

    3 Associate Professor of Art Research in Art University of Isfahan

    4 Associate Professor of Philosophy and History of art in Tarbiat Modares University

    10.22059/jisr.2020.287194.917

    Abstract

    Introduction: Sociological study in art, establishes new capabilities and advantages for social planners and art society members. Sociological study of Farshchian,s Shiite paintings, which usually were welcomed bygd the public, more than the meaning, will provide the contemporary Iranian painters with self-awareness. This research will also answer to questions such as “how does a piece of art bccome fameous and welcomed, how anställda background causes a piece of art be welcomed publicly, what are the affects of cultural conditions on artist personal

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    Experiencing the Media: Photography as a Playful Report

    Abstract

    This chapter explores photography in Iran from the late 1980s to the early 21st century, spanning from 1989 to 2004. During this period, photographers embarked on the exploration and manipulation of visual and material elements to reveal the underlying meanings embedded within the fabric of reality. They embraced a more playful and experimental outlook on the world around them. Their artistry manifested in visual explorations, where elements of the medium and the familiar appearance of the world were deconstructed and reinterpreted. The photograph, once tethered to a strict adherence to visible reality, became a vehicle for imaginative interpretation and revelation. This marked a shift in the approach to photography, where the emphasis shifted from preservation to exploration, and from portraying to interpretation.

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    Notes

    1. 1.

      Ahmad Aali, “Photography is Not My

    2. mehran mohajer biography definition