Aligi voltan biography meaning

MUSICA DA CAMERA

€ 18,00

CLASSICAL FROM 20th CENTURY: original compositions by Silvio Omizzolo (1905 - 1991) Ezio Mabilia, Edoardo Lanza, Ines Scarlino, Franco Angeleri, Grandpiano / Giovanni Guglielmo, violin / Elio Peruzzi, clarinet / Giambattista Valdettaro, cello / Tiziana Zoccarato, soprano / Chamber Ensemble: Andrea Danese, flute, Francesca Guerra, hautebois, Ivan villanova, clarinet, Steno Bosso, basson, Eugenio Pegoraro, french horn, Pietro Juvarra, violin, Fulvio Bertagnin, viola, Giordano Pegoraro, cello, Mario Caldieron, doublebass. 20 Bit Digital Recording. Live in studio at Pollini Auditorium (Padova, Italy). June - August, 1997 This other work by Omizzolo, no less interesting than the other, reveals even more the capabilities and the creativity of this multi-talented artist who here presents a journey through his most significant production of chamber music: sonatas for violin, clarinet, violoncello, all accompanied by piano,

•

Doomed by Memory ?

May 20, 2016 at 02:38 PM · inom have been contemplating my violin playing and, in particular, the memorizing of music.

Is the ability to memorize tied into a high level of musical talent ?

I have never seen an orchestra without music stands but I've never seen a soloist using one. ?

Replies (44)

May 20, 2016 at 05:35 PM · If you're going to study a concerto or other solo piece with a view to performance then almost inevitably you'll find that the amount of intensive detailed work you put into it over a period of weeks or months will result in the music becoming embedded in your memory. You should also be studying the score at a level such that you always know what everyone else is doing, as the conductor does (or should do). Not unlike an actor learning a part for a stage play.

There seems to be some sort of tradition, almost a set of rules, as to whether you perform with or without the music. A solo pianist almost always plays from memory, wh

•

Bassoon Concerto (Mozart)

1774 bassoon concerto bygd Wolfgang Amadeus Mozart

Bassoon Concerto
The young composer, a 1777 copy of a lost painting
Key	B-flat major
Catalogue	K. 191/186e
Genre	Concerto
Style	Classical period
Composed	1774 (1774)
Movements	Three (Allegro, Andante ma Adagio, Rondo: tempo di menuetto)
Scoring

The Bassoon Concerto in B-flat major, K. 191/186e, is a bassoon concerto written in 1774 by Wolfgang Amadeus Mozart. It is the most often performed and studied piece in the entire bassoon repertory.^[1] Nearly all professional bassoonists will perform the piece at some stage in their career, and it fryst vatten probably the most commonly requested piece in orchestral auditions – it is usually requested that the player perform excerpts from the concerto's first two movements in every audition.

Although the autograph score is lost, the exact date of its completion is known: 4 June 1774.^[2]

Mozart wrote t